Portfolio Image Critique

The next stage of my final photography project is to write a critical evaluation of the development of the project, the success of your objectives, an awareness of an audience, appropriate decision making for the exhibition and presentation of the work.  This post will review three of the 12 images that were submitted for the portfolio looking at technical and artistic elements.

Image 1

This is my favourite image from the collection; there is an ethereal glow to the light dancing on the sand and the reflection of the cooling towers on the sand looks like it could have been there in real life, seamlessly blending the two images from completely different locations.  As a single image the cooling towers create an imposing feeling in the viewer from their monolithic size and thoughts that are conjured in the viewer's mind through association with the vapors and gasses emitted into the air.  When viewed in conjunction with the beach scene it reminds the viewer of the very real things this pollution could impact upon; therefore communicating the intended message of raising awareness of the damage humans are causing to the environment.

The image uses a wide depth of field so that all elements in the frame are in focus.  There is some lens distortion to the top of the cooling tower on the left which can be distracting as it is the most prominent tower.  This will require further work in post-production before the image is printed for the exhibition.

The eye is drawn up the image, with the seagulls landing and taking off first capturing the gaze, then drifting up to the unexpectedness of the cooling towers.  Initially the image may be classed as a broad landscape photograph, however, on closer inspection the individual details of the scenery are revealed from the hedgerows and fencing trying to contain the towers, to the Another Place figures identifying the beach as Crosby Beach.

Image 2

Image 2 is an example of one of the macro perspective images from the collection.  It uses purple tones to merge an image of saltwater mussels and shells found on beach-combing trips throughout the UK with the graffitied word "FEAr..." found on the side of the sea wall in Margate, Kent.  This image is one of a pair, combined with another close-up of the shells found in rock pools, that was merged with a coating of petrol floating on water.  As a pair the colours work well to link them and strengthen the message, however, as a stand alone image, this does not work so well.  As part of the collection the word seeks to reinforce the message of the sometimes unknown damage that is being done to our environment with human hands.  As an independent image this could be interpreted as fear of the sea and what can be found in it, rather than the intended message of the project.

The mussel in the bottom left-hand corner is out of focus, however, this is hidden by the filmy sheen of the wall the graffiti was sprayed on.  Also the translucency of the wording makes it difficult to clearly read the writing.  If I was to make this image again I would like to experiment with a more staged approach to the arrangement of the shells, using their shape to help spell out the wording and support the message.  None of the images from this project were artificial scenes, and so this approach may not fit with the 'found' and natural elements of the project, but would be worth exploring to see if it produced a more aesthetically pleasing image.

Image 3

The third image is one of three images intended to be displayed together that feature the white chalky cliffs of Kent.  I love the drama of this image, with the majestic cliffs seemingly dwarfing The Shard, the tallest building in Europe.  The repeated triangle shapes of the building and arch in the cliff strengthen the viewer's enjoyment of the image, bouncing the gaze along from left to right, ending in an awe-inspiring blue expanse of sky.

As with the Image 1, this uses a wide depth of field so that all elements of the photographs are in focus, the viewer could even read the bus stop location of St Georges Circus if they so wished.  However, the bus stop and construction boards do provide some clutter to the image; taking them out, or recomposing the scene, may improve the image and more effectively concentrate the gaze on the buildings.

As a sample of the Looking into the Depths project, these three images show the different macro and micro perspectives that were explored.  I will extend this critique process to the remaining nine images and use this, alongside Assignment 2: Critical Reflection to inform my choice of final images to be displayed at the exhibition in June.

Making It Count

Its my second week back at university and the assignments are coming thick and fast now.  After my trips out over the Christmas holidays I am starting to feel like my final photography project is coming together now.  I've spent time in the digital darkroom blending images together to see how they work and if this idea would be successful, and good enough to submit as my final piece of work.

So far I'm pleased with the results, some are working better than others, but I've still got a few weeks before my deadline so have time to tweak and work out how I can group the images so that the final body of work is a cohesive one.

Here's a couple of my favourites:

And one I'm not so sure about:

I'd love to know what you think.

Making This Project Count

As my project is about the affect pollution and humans have on our shorelines I wanted to link it with charities that work to protect the coast.  There are so many more out there than I thought there would be and it seems like it is becoming more widely reported in the media.  Which I know is a bad thing because of the levels of pollution and damage that is being done, but it also has to have a small silver lining because it is raising awareness and emerging in more mainstream media.  For example, the article More Plastic Than Fish in the Sea by 2050 was published in The Guardian and features comments from  Dame Ellen MacArthur, who broke the record for the fastest solo circumnavigation of the globe in 2005.  I sincerely hope, by making more people aware of these atrocities we can start to make changes and reduce the damage that is being done.

To do my little bit to help I would like to support three charities through raising awareness of them at my final exhibition.  They are:

• Two Minute Beach Clean
• Surfers Against Sewage
• Break the Bag Habit

Two Minute Beach Clean is breeding a community of beach-loving volunteers helping to rid the world's beaches of marine litter and plastic pollution two minutes at a time.  People are encouraged to spend two minute picking up rubbish on their next visit to the beach, take a photograph and post it on Twitter or Instagram with the hashtag #2minutebeachclean.  Why not give it a go and earn some social media fame.

Surfers Against Sewage is an environmental charity protecting the UK's oceans, beaches and waves so they can be enjoyed long term.  Their campaigns include targeting marine litter, protecting our waves, improving water quality, taking action on climate change, and increasing the education around these issues.  Take a look on their website for what is happening in your region and how you can support this cause.

Break the Bag Habit is a campaign targeting the reduction of single-use bags.  Not only do they contribute to litter on our streets, but they use resources such as trees and water to produce them, and take over hundreds of thousands of years to break down.  You'll also save on the 5p bag charge introduced by the Government last year.  Win win.  Its easy to sign up to the pledge and shows your support.

There are so many more I could mention, but it all gets a bit overwhelming so I have chosen those mainly targeting the UK and are easy to build into your daily lives.  We've all heard the messages to turn off lights when we're not in the room, to not leave the tap running when we are brushing our teeth, but what else can you do to reduce waste?